"The pieces are doll houses covered with vacuum cleaner dust. The architecture of the houses is carefully selected to match them with familiar urban landscapes.

I take them apart and discard some of the decorative elements, so these houses end up almost as a sketch of the original or as a new house in the process of been built, with no doors, no windows, and no flowers. When the dust comes, the whole house and the windows and the flowers are being replaced by dirt. The houses are fully covered, so they began to have a gray scale quality, they look monochromatic almost like a block, minimal, but once you start getting closer you begin to first smell, then to see the hair, the skin, the lint, the debris…you have a physical experience, you realize that there is so much poetry in such ugliness."

"This sort of thing is what I call "transitory art". This is the kind of art that provokes a "Hmmm, interesting," reaction from the viewer, but little or nothing beyond that.

In this case, my own "Hmmm, interesting" reaction is more to the novelty of the medium used, than to any great depth of meaning."